In the first installment of our collaboration with Burnaway Magazine–a series exploring the intersections of art, labor, and struggle in the U.S. South–Madeleine Seidel writes on histories of radical Southern labor films that archive and agitate to this day.
Madeleine Seidel
Madeleine Seidel is an emerging curator, writer, and MA candidate currently based in Brooklyn. Her current research concerns exhibiting film, video art in the practice of feminist, queer, and indigenous creators, and the interactions between arthouse film, pop culture, and politics in the 1960s. Recently, she has worked at the Whitney Museum of American Art, Atlanta Contemporary, and the Dalí Museum.